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The finest selection of artists grace this edition of The Renascent, which makes a strong case for the elevation of photography as a fine art. The editors wrote the following in the prelude to the works:
None of the arts aim to imitate life exactly. It could not be considered art without at least some alteration or emphasis added to the reality. Photography, therefore, being arguably the most realistic of the arts, cannot rely on technique to make its product artistic like painting or music might for instance. On the contrary, its proximity to reality is what many find interesting about photography—“that really happened!?”is the mark of a thoroughly engaged audience.
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